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When you’re learning about something new, it’s easy to feel overwhelmed by the sheer amount of relevant information available. This informative article should help you focus on the central points.

When the picture postcard fad hit America nearly a century ago, publishers found a ready market for special greeting cards for every holiday including New Year’s. The public eagerly purchased seasonal postcards to exchange with relatives, friends, neighbors and co-workers. They were also lovingly saved in keepsake albums.
New Year’s Day items were especially attractive because of their superior artistic designs and the fascinating array of seasonal features found on them. Nearly every theme and topic associated with New Year throughout the centuries found its way onto the different postcards crafted by countless artists in the earliest years of the century which would be from 1900 to about 1916. Both domestic and imported cards featured grandfather clocks, watches, father time and lovely women and radiant angels.

Though they often relied on traditional symbols and motifs, American illustrators did drawings in a more modern style than did their counterparts in Europe. Holiday revelers in autos were heavily favored by International Art Pub. Co. (New York City). Funny scenes of tipsy gentlemen and other portrayals of holiday celebrating are characteristic of American made New Year’s Day postcards. Artists such as Ellen Clapsaddle, Frances Brundage, and H. B. Griggs (”HBG”) have always commanded a great amount of attention from collectors.

So intense was the competition that many companies resorted to adding extra attractions to their cards. Nearly all quality cards automatically came embossed and many were embellished with gelatin coatings, gold and silver etchings, and gold backgrounds. Tinsel was added and edges scalloped. Also marketed were blank check postcards in which the recipient received a “check” good for “a million joys in the coming year,” or something similarly whimsical attachment of every kind were applied. The list includes die-cuts of flowers, horseshoes, doves and little notes in tiny envelopes. A number of “magic light” varieties such as hold-to lights and transparencies enjoyed brisk sales.

Most of this information comes straight from the Post Card pros. Careful reading to the end virtually guarantees that you’ll know what they know.

Quite often, especially after 1910, many publishers and distributors took old stocks of other postcard topics including scenes of animals, children and lovely ladies then overprinted them with all sorts of New Year’s greetings.
Among foreign publishers, none was more prolific or produced better cards than Raphael Tuck & Sons. The London firm exported huge numbers of holiday postcards to this country. Their artists favored charming children, beautiful women and Father Time. However, floral designs were also used extensively.

The modern day folded greeting card and envelope came into prominence in the 1920s and has remained the standard ever since. Very little modern activity has ever occurred in regard to New Year’s Day postcards.
Today’s collectors are very lucky in that a vast amount of New Year’s Day postcards is still available. Prices, except for about 10% of the very best and most beautiful cards tend to be a bit lower than those for other holidays. It is still possible to put together a very good collection of the New Year holiday.

About the Author
By Anders Eriksson, feel free to visit my latest venture: GVO to claim your $1 trial membership!

Why use a postcard? Why not a regular size piece of paper? You can certainly fit more information on it! Postcards have many uses and they are not only used to write to a loved one or a friend from their vacation destination. They can also be used to see a distant place that someone would desire to go to. Postcards, can be used as advertisement or just to stick on your fridge and dream!.Postcards can be a means to simply say Hi to personalize and simplify life in our hectic sms and e-mail world.

With the invention of the automobile tourism soared. People used postcards to show where all they had been on their travels. With cars, people began to vacation in numbers like never before using new streets that were developed. Postcards of an early-developed street and what many streets of the time looked like were quite popular especially for those that couldn’t afford the luxury of a car. Before postcards were developed, many tourists would have used a gazetteer. A gazetteer is a geographical dictionary containing any landmarks or specific attractions of the place a person is going. People would tend to look at a gazetteer before of after they went on vacation to see what they were going to see or what they missed.

Postcards also serve as advertising functions. As stated before, a tropical island can be shown on a postcard, and automatically anyone who looks at it usually wants to go. Advertising could have been as simple as just putting pictures of beaches to attract tourists. Even if one’s vacation was dreary and filled with disappointment, postcards still portray the beauty of the vacation spot. Postcards at one time were quite posh and reserved “bragging rights” at the local get together.

Once you begin to move beyond basic background information, you begin to realize that there’s more to Post Card than you may have first thought.

Architecture is another aspect of why people collect postcards. Buildings today have changed from those of the past which you could see using these architectural postcards. Also, you could use architectural postcards to see if any important people of the day lived in a certain town Historical buildings are an important factor to find out about different jobs or businesses of the time.

Improvement of education is another aspect where postcards can be used. You can take a postcard of a school from fifty years ago and compare it to a picture of a school and see the major improvements to show your students. Postcards are a great source for any historical information needed.
Postcards have been used as propaganda during war times. For instance Uncle Sam may have been used trying to persuade people to get involved in the war efforts. As for politics, postcards were used to show who was running and to tell people who to vote for.

Many people think that postcards are just something that gets sent to friends when they go on vacation and although this is true, one can see there are a number of other reasons. The most common people who would use postcards today would be historians and postcard collectors. Historians would use postcards to learn more about cultures and lifestyles of the past. For example, comparing the dress of people or the crowded streets of a certain city. Individuals who collect postcards may do it as a pastime or they may be interested in social history as well..

Knowing enough about Post Card to make solid, informed choices cuts down on the fear factor. If you apply what you’ve just learned about Post Card, you should have nothing to worry about.

About the Author
By Anders Eriksson, author of this Free Adsense eBook — make sure to claim your free adsense ebook download!

Early 20th-century postcards manufactured for the Fourth of July were very popular. Thousands of colorful cards featured such themes as Uncle Sam, the Goddess of Liberty, eagles, cannons, flags, liberty bell, fireworks, Statue of Liberty, Native Americans, Revolutionary War figures, nautical subjects, and the nation’s founders. From the early 1900s the production of postcards neatly coincided with the Safe and Sane movement that was initiated in a number of major cities to get dangerous fireworks away from the public. Many cards demonstrated the seriousness of this issue but interestingly did so in a humorous vein. One popular card included the message: How to prevent your boy being killed on the Fourth of July-kill him on the third.

Cards, for the most part, were typically sold in sets of six. Illustrators such as Ellen Clapsaddle and E. Nash were household names to those who collected these cards. Ellen H. Clapsaddle (1865-1934) was active in New York and later in Germany in the early 20th century creating illustrations for thousands of postcards. Her focus was mostly children. She worked for the International Art Company and produced an imaginative series of Fourth of July cards.

The information about Post Card presented here will do one of two things: either it will reinforce what you know about Post Card or it will teach you something new. Both are good outcomes.

“Greeting” cards often included verse that was similar to Fourth of July poetry published in newspapers at that time. The quality was mediocre at best. Examples include: “Day of flags and cannon and jubilee! Guarded well, gloried in, so may it ever be” and “Oh spirit of honor of freedom of peace! Guard well with a vigil that never shall cease.” The sense of guarding the nation’s freedom and the idea of stewardship was a common notion that all shared and continue to share today. Still the 4th of July Postcards were the favorite of their day and are quite collectible in our times. The brilliant colors and the obvious patriotism that was prevalent in our nation during these periods shined through.

Patriotism is the heartbeat of America and even though times get turbulent the Americana postcards of the past and present still hold dear to the hearts of Americans and reminders of past 4th of Julys where our nation celebrated her birth. Despite wars, social issues and political differences Americans celebrate the birth of their country with honor and respect for the nation they love and are proud to be a part of. The history alone of the 4th of July postcards and the careful thought taken to the words of the cards shows the reverence that we hold past present and future of our nation. The cards are great ways to remember past celebrations and to share present ones.

Hopefully the sections above have contributed to your understanding of Post Card. Share your new understanding about Post Card with others. They’ll thank you for it.

About the Author
By Anders Eriksson, feel free to visit my latest acquisition: Free Google Traffic System and make sure to visit my bonus site!

So what is Post Card really all about? The following report includes some fascinating information about Post Card–info you can use, not just the old stuff they used to tell you.

Postcards are a handy and often inexpensive way to get your name out there and stay in touch. You can use them for a variety of things such as a first contact vehicle, announcing a move or a new service. Some folks like to use them as a leave behind or a follow up after a meeting.

You can use a postcard campaign as an introduction to prospects. Like adding to the old client roster. You can use oversized – 8.5″ x 5.5″ and printed full color on one side and black & white on the reverse side. The campaign consists of four postcards. It is good to trade services if you can. People love to barter their services especially a printer plus bartering can be a lot of fun. A barter deal like this might be just the ticket for you.

With the postcards all there is to do is gain some name recognition like top of mind awareness. Coming up with quirky catch phrases, slick picture or just a photo of something that expresses what you or your company is all about will make an image in the clients mind.

It’s really a good idea to probe a little deeper into the subject of Post Card. What you learn may give you the confidence you need to venture into new areas.

A good thing to do is to gather your prospect contact info and mail out one card each week for four weeks. Timeing the mailing so they’ll receive them midweek. Mondays and Fridays are bad since folks are getting over the weekend or looking forward to it. During the fifth week it is good to make a phone call to follow up and ask for an appointment to see if there’s a fit for both of you.

The trick here is to first prequalify the prospects as best you can. You’ll do more qualifying when you follow up. Next, keep the mailing small for this type of campaign. Doing these in groups of twenty to twenty-five. Anymore than that can be overwhelming for follow up calls. Announcements and such can be larger, wide net mailings. For this type of campaign it’s important to remember that if you don’t follow up you’re potentially wasting your time and money.

This technique will work well for you if you work it. Even in todays high tech e-mail world the touch of a personal note is well received. It’s good to ask though if you can add them to your contact list for e-mailed news releases and little “infos” to send out periodically like links to articles, useful sites I find etc. just to stay in touch.

Now that wasn’t hard at all, was it? And you’ve earned a wealth of knowledge, just from taking some time to study an expert’s word on Post Card.

About the Author
By Anders Eriksson, feel free to visit my latest venture: GVO and make sure to claim your $1 trial membership!

You should be able to find several indispensable facts about Post Card in the following paragraphs. If there’s at least one fact you didn’t know before, imagine the difference it might make.

With Netpost Services of the United States Postal Service you can create and mail your own postcards. Cards can be sent from anywhere in the world to anywhere in the world.

Although stock card designs are offered, the real advantage of using the Netpost Service is the ability to use your own photos and designs. The applications are limited only by your creativity. Anything that can be captured in a JPEG digital image can be put on a postcard.

Premium Postcards can be ordered for 84¢ each which includes postage and mailing. The Premium Postcards are 4.25 inches by 6 inches, are printed in full-color on thick cardstock and have a glossy scuff resistant coating. When ordering you simply upload or choose an image for the front of the card then write a message online for the back. The back of the card can also have an image in place of the text.

You can see that there’s practical value in learning more about Post Card. Can you think of ways to apply what’s been covered so far?

To get started go to the www.usps.com website and sign in. Look for a link for Netpost Services or sending cards. You may need to have an account before you can access all the instructions needed to create your cards. Since the instructions may change this will just give some basic information about what is required.

You will need a digital image in JPEG format and some sort of photo-editing software to conform to the image requirements. Your image should be sized to print at 5.50 inches by 3.75 inches with a minimum resolution of 300 dpi (maximum 600 dpi). Actually this is the ideal….larger images will be resized proportionally and you can probably get by with any resolution over 200 dpi. You can include type in the image you upload or add it during the online creation process. The online feature for adding text to the image is very limited in choice of fonts and positioning, so it is best to add the text before you upload the image.

A really fun project in creating postcards is a project you can do with small kids. It is quite simple and they will have a blast doing it. All is needed is a photo, index card and some glue. Just glue you picture to the index card and let your child create his or her own message. Be creative with your postcards and not limit yourself to just the pictures. Have your child color a small picture for the grandparents or add some holiday glitter. Another idea is to use cloth to create your own postcards. Start stamping, painting, adding other fabrics, beads, yarn, hand or machine sewing. Whatever you think you need to create a wonderful postcard. The ideas are limitless in creating your own postcards so stretch your imagination and makes someone’s day special.

About the Author
By Anders Eriksson, feel free to visit my latest venture: GVO and make sure to claim your $1 trial membership!

Post card collectors or more formally deltiologists, generally collect post cards for the view, subject depicted, topic, artist, publisher, photographer or any of hundreds of reasons relating to the front view of the post card. They are very much intrigued by the uniqueness and the view of a much simpler time in history.

The postal historian avidly seeks post cards for the stamp use, postmarks and postal markings, destinations and all the things related to the mailing or sending of the post card. Most of this information is generally found on the back of the card and the historian is unconcerned with the view or front of the card. This doesn’t interest him at all.
The philatelist collects the card for the stamp used on a post card and the way the stamp is canceled. This is closely related in some ways for to the reasons a postal historian would collect post cards and maybe even for the same reason.
It does get a little touchy when trying to separate the differences between the postal historian and the philatelist. Postal history and philately have crossed over blurred lines since stamp collecting began. Generally a philatelist is concerned how a stamp is used, condition of the stamp and the way it is canceled. A cancel is the method of obliterating the stamp to prevent reuse.

A postal historian collects for the way a stamp is used and postmarked. A postmark is the way to determine the place and date the post card was sent from although postmarks are often used as cancellations.
So a deltiologist, or post card collector, collects because of the front of the card and information relating to the image on the card and in many cases prefers a pristine mint card. The postal historian, or cover collector, collects post cards for reasons on the back of the card and prefers a postal used post card. The philatelist, or stamp collector, collects the post card for the stamp on a used card.

The information about Post Card presented here will do one of two things: either it will reinforce what you know about Post Card or it will teach you something new. Both are good outcomes.

A postal historian will sometimes use collateral material for exhibiting in their albums, displays or at competitive exhibitions. In addition, a real photo town view, especially of a “ghost” town, will be used as collateral along with a postmark from that town. This forms a pleasing combination for many postal historians. What is even better is when the town view is postmarked in the same town as in the view. This is an awesome find!

The deltiologist will also use a postmark as a crossover especially when their collecting cards from Worlds Fair and Expositions. The postmark from these special post offices can add great value to a post card and prove that it was purchased at the sight of the fair or exposition. These are also sought after items for the postal historian.
It makes no difference whether you collect post cards as a deltiologist, a postal historian or philatelist, the field is wide open. Collect what you like and how you like to collect! You can find them everywhere especially in old attics, garage sales and flea markets, antique shops and stamp shops, gas stations and hotels. Collecting Post Cards is a great hobby and one that can be passed on from generation to generation to share your past travels, interests and history with your family.

Take time to consider the points presented above. What you learn may help you overcome your hesitation to take action.

About the Author
By Anders Eriksson, feel free to visit my latest venture: GVO and make sure to claim your $1 trial membership!

While the vast majority of all postcards made are not very valuable some are considered to be rare and desirable by collectors and these can be worth quite a bit of money.

For rare examples prices can go into the low thousands of dollars and it is certainly not all that uncommon to find a $50 postcard hiding in a pile of ordinary cards. Combing through 175 cards it would not be surprising to find one or two that are worth $5 to $10 or even more.

The classic postcard era was from 1898 to 1918 and the cards that fall in this time frame are the most collectible to collectors as a rule. It is usually the topic or the image or the artist who created the image that establishes its value. Serious postcard collectors are interested in a wide variety of subjects.

The information about Post Card presented here will do one of two things: either it will reinforce what you know about Post Card or it will teach you something new. Both are good outcomes.

Holiday cards are very popular. Thanksgiving, Christmas, New Year’s, Easter and Valentine’s Day postcards are rather common, but cards sent for Halloween, Labor Day, and Ground Hog Day aren’t. Halloween cards are particularly popular right now and some of the most desired ones were created by artist Ellen Clapsaddle. Three of her mechanical Halloween cards with moving parts sold for a little less than $1,500. Artist-signed cards are another focus of strong collector interest. Pieces signed by Rose O’Neil (particularly her Kewpie cards), Philip Boileau, Arpad Basch (in the Art Nouveau style), Grace Drayton, Raphael Kirchner, Alphonse Mucha (look for his card advertising “Waverly Cycles”), Louis Wain (cats and paper dolls) and Florence Upton, to name just a few, are extremely popular.

We said earlier that Christmas cards were common but there are certain types of Christmas cards that are valuable. There are vast quantities featuring a white Santa Claus in a red suit but find a Santa in a different color of suit or come across a black Santa and you have something of a treasure. Find one in purple robes and the value might shoot up to around $200. One in blue robes trimmed in brown fur and the value can top $400. Postcard collectors look for what they call hold-to-light cards which have elements such as windows and fireplaces that seem to light up when the back of the card is held to a light. A New Year’s hold-to-light card might be worth between $75 and $100 while a regular New Year’s card might be worth very little.

Other cards to look for include the real photo cards of small towns or actual events. These can be rather expensive because there may have been only a few specimens of each view printed. Real photo cards that collectors find interesting can go up to the $5,000 dollars and such images as golfers playing a famous course can bring $350 or more.
To be valuable, postcards must be in good condition with no creases or folds. They should not have corners that are dog eared. Fronts that are not written on is the best (backs are ok) and no discoloration. Keep hunting for your treasured postcard and who’s to say yours won’t be worth a pretty penny.

Take time to consider the points presented above. What you learn may help you overcome your hesitation to take action.

About the Author
By Anders Eriksson, feel free to visit my latest venture: GVO and make sure to claim your $1 trial membership!

Tinselling

Tinselling of postcards was a common practice and one frequently used by dealers to enhance the sales of slow-moving stock. The lines on the view selected for highlighting were drawn on with a steel pen dispensing a special tinselling glue. Tinsel, mica, diamond dust, small transparent beads or finely ground glitter was taken from a special jewelling outfit, shaken on the postcard and the residue blown away. In 1907 the Canadian Post Office Department briefly prohibited their transmission in the mail because of the damage they were causing to electric stamping machines in use at city post offices.

Vignette

Vignette is the name given to the style of finish in which the background of the image or a portion of it appears to fade away gradually into the paper.

Bookmark

The Rotary Photographic Co. of London, England established in 1901, was a huge publisher of real photo postcards. One of their unique novelty postcards was a 1 3/4″ x 5 1/2″ photo series of bookmark cards. Most seem to have been posted in the 1903-04 period. Pugh Manufacturing Co. and Rumsey & Co., both of Toronto, published in 1910-11 a similar novelty postcard, 1 1/4″ x 5 1/2″, with the name Book Post Card. The cards were printed in England, probably by Rotary Photographic. Rumsey & Co. published a number of Hamilton subjects. To date no Hamilton subjects by Pugh Manufacturing have been seen.

Deckle Edge

The deckle edge postcard was die-cut to give a wavy or uneven edge. Most of the examples seen are chrome postcards of relatively recent date.

Truthfully, the only difference between you and Post Card experts is time. If you’ll invest a little more time in reading, you’ll be that much nearer to expert status when it comes to Post Card.

Embossed Printing

In embossed printing, the letters or illustrations in part or in whole are in prominence. Heavily embossed cards because of the indentation on the back caused problems. The problems this caused when addressing the card or writing the message required a separate backing.

Felt Pennant Applique

The pennant postcard was a stock card carried by a publisher which could be imprinted with a town or city name on request. In this case felt fabric has been cut in a pennant shape and printed with the city name then glued to the postcard. A number of felt pennant applique postcards were published by K.&T., an American firm. Later to come there was an even more elaborate design combining the felt pennant with a photo insert then embossing and airbrushing.

Foil Pennant Applique

One of the more elaborate mail novelties seen was produced by Valentine and Sons’ Publishing Co. about 1917. It has an applique pennant of ribbed blue foil printed with the city name over which a circular real photo view has been attached.

Gelatine Film

Some postcards were treated with a film of gelatin which is a varnish-like coating that produced a glossy surface. Unfortunately the coating was brittle and the surface had a tendency to crack. The cards also tended to curl and the gelatine coating peeled back at the corners.

When word gets around about your command of Post Card facts, others who need to know about Post Card will start to actively seek you out.

About the Author
By Anders Eriksson, still having the Free Adsense Templates available for instant download

DIVIDED BACK ERA (1907-1915)

As of March 1, 1907, the divided back postcard came into circulation. They quickly became more popular because they allowed senders to write the address and the message on the back of the card. The address had to be written on the right side of the back of the postcard while the left side was reserved for writing messages. Postcards from this period are most collectible when they do not have writing on the front. At this time in American history the postcard hobby became a huge public addiction. Publishers printed millions of cards in this era. Most postcards were printed in Germany which was the world leader in lithographic processes. At the height of the countrywide postcard hunger, WWI caused a crash in the hobby. The advent of WWI caused the supply of postcards from Germany to end. Poorer quality postcards came from English and U.S. publishers. The lower quality of printed postcards, recurrent influenza epidemics, and WWI war shortages killed the American postcard hobby. During the war years, the telephone replaced the postcard as a fast, reliable, means to keep in touch.

WHITE BORDER ERA (1915-1930)

When imports from Germany ceased in the first World War, the U.S. began printing postcards to fill the void. Unfortunately, this also ended the “Golden Age” of postcards. After WWI, the German publishing industry was never rebuilt. Other European publishers were forced out of the U.S. market by high tariff rates. Most locally available postcards were printed by U.S. publishers during this period. On view postcards, to save ink, a white border was left around the view, and that is why we call them “White Border” postcards. The higher costs of post-war publishing combined with inexperienced labor caused production of poorer quality cards. Movies, as they were, replaced postcards as a visual experience. Higher competition in a rapidly narrowing market caused many publishers to go out of business. On the other hand, real photo postcard publishers enjoyed great success. Various types of rotary drum negative imprints allowed runs of thousands of postcards of a particular image. Roadside postcard racks contained a great variety of these images.

LINEN ERA (1930-1945)

The information about Post Card presented here will do one of two things: either it will reinforce what you know about Post Card or it will teach you something new. Both are good outcomes.

In the 1930s, postcard printing in the United States improved. Publishers began using linen-like paper with a high rag content. These types of cards are very popular with collectors today. Of particular interest are Roadside America, Blacks, Comics and Advertising genres.

New American printing processes allowed printing on postcards with a high rag content. This was a marked improvement over the White Border postcard. The rag content also gave these postcards a textured feel to them. They were also cheaper to produce and allowed the use of bright dyes for image coloring. They proved to be extremely popular with raodside establishments seeking cheap advertising. Linen postcards document every step along the way of the building of America’s highway infra-structure. Most notable among the early linen publishers was the firm of Curt Teich. The majority of linen postcard production ended around 1939 with the advent of the color chrome postcard. However, a few linen firms, mainly southern, published well into the late 1950s. Real photo publishers of black & white images continued to have success.

Faster reproducing equipment and lowering costs led to an explosion of real photo mass produced postcards. Once again a war interfered with the postcard industry (WWII). During the war, shortages and a need for military personnel forced many postcard companies to reprint older views when printing material was available.

Is there really any information about Post Card that is nonessential? We all see things from different angles, so something relatively insignificant to one may be crucial to another.

About the Author
By Anders Eriksson, still having the Free Adsense Templates available for instant download

The tradition to send Easter postcards to relatives and friends developed in the end of the 19th century. During the year 1898 there were only a few Easter cards sent but the amount of sent Easter cards raised in the following years worldwide. Soon it was courteous and polite to send Easter postcards. In the beginning, monochrome as well as colored cards were printed. Most of the time in the center of the cards was an oversized colored egg. In the first years of the Easter postcards often a part of the front side was empty. This was the space for the greetings of the sender because the post-order only allowed the address and the stamp on the back side. Because of that, the artist creativity was hindered and precious illustrations were deformed. In 1905 the post in Austria and Germany separated the back side of the cards in two halves. The right half served as before for the address and the stamp and the other one was the new space for the message. 1906 this was officially allowed by the world-post-congress in Rome.

In the years around 1910 on the cards were mainly monochrome pictures which were sometimes colored with children in the context with lambs, chickens, ducks and eggs. Young girls were a symbol for luck and hope. The Easter bunny which was a personified symbol of fruitfulness was often portrayed with eggs. German publishers were leading in the production of Easter postcards before the first world war.

So far, we’ve uncovered some interesting facts about Post Card. You may decide that the following information is even more interesting.

During the time of the first world war the children were replaced through soldiers and a military appearance of the Easter bunny was quite common. After the first world war, photos were not the foundation for Easter postcards anymore but drawn colorful Easter sketches. At this time a very popular motive was Jesus in the open countryside surrounded by sheep. Also cards with flowers were sent very often too such as the Easter lily. In the time of prosperity during 1898 and 1918 the basis of the cards was chromolithography. There reveal very impressive cards with silver, gold and relief-stamping.

A huge reduction of sent Easter postcards occurred through the second world war. After the war, the amount of sent cards raised slowly but in the last ten years it fell rapidly because of the competition with telephony and e-mail. Easter postcards are still sent today but not with the fervor of the greeting card. The collection of the Easter postcard is quite collectible and not so easy to find.

I hope that reading the above information was both enjoyable and educational for you. Your learning process should be ongoing–the more you understand about any subject, the more you will be able to share with others.

About the Author
By Anders Eriksson, who just joined this Free Website Traffic generation site